Harper’s Bazaar UK November 2016
Felicity Jones has managed to preserve an
enigmatic quality, despite the increasing intrusiveness of the digital age. In Niall
Maccormick’s Albatross, in which Jones plays a daughter at a nearly broken
family, no doubt Jones’ fragile and doll-faced look with her unafraid attitude,
glorifying for The Theory of Everything in 2015 too. During the interview with
Lydia Slater, styled by former Lola Editor-in-Chief, Leith Clark, Jones wears Alexander
McQueen embroidered tulle gown, Chanel silk dress or Burberry organza skirt,
reveals her elegance and British temperament.
Jones looks far younger than her 33 years, but she has
her own way to express the function of motion pictures: ‘Film is very powerful
so I do feel that there is a certain amount of responsibility to portray
reality’ (176). She was ‘instilled from a young age with a sense of
independence and making my own way in the world, not relying on a man
financially’, perhaps it’s due to her parents’ early divorce at her age of
three, but her mother’s passion about theatre and film, makes her falling in
love with acting.
Interestingly, through Harper’s Bazaar November 2016
fashion campaign, Jones is wearing highly feminine dresses, under Photographer
David Slijper’s lenses, the floral is the eternal theme (such as Kirsten Dunstat May 2014 issue), and the title of the interview states ‘An English Rose’.
Does the title means that Jones carries lovely true colours but with thrones? Diana,
Princess of Wales was also entitled the same in Sir Elton John’s hit song.
Taking a degree in English Literature at Wadham College, Oxford, seems to have
offered Jones a different sort of training on selecting the scripts and acting.
‘It’s that disparity between the words we say and the thoughts we think’ (180).
Being very much like her British fellowship, Jones relies
on family and friends to ground her, and avoids using social media to guard the
peace and privacy of her off-duty lifestyle. That’s why I truly appreciate
British actors and actresses, that they keep their profile low, but stand at
the stage high. Appearing at paparazzi magazines as few times as possible, it
never discounts any levels or popularity while British fellowship walking on the red carpets,
pitching the right moments at the screens, or gracing the fashion front rows. A
lot of them achieve profound education backgrounds, digesting what they have
experienced, and blossoming unapologetically, like a bush of openly lovely
English roses.
Photography & Works Cited:
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